X_X_I, 2023
X_X_I is an audiovisual manifestation of Carrie Fucile and Brenton Lim's intersecting ideas about technological upheavals from the twentieth century to the present. Fucile’s audio component consists of live vocals, melodica, MIDI keyboard, field recordings of hidden home and business technologies, and digitally generated sound. Lim’s live video is derived from his original block coding designed for the piece. This performance documented here was presented at The Center For The Arts, Towson University, Towson, MD.
Dada Morte, 2022
Dada Morte uses MIDI interpretations derived from an IBM computer punch card found among Fucile’s late father’s possessions. It also features melodica, voice, and electronics. This performance was part of the exhibition Memento Mori at The Parlor in Baltimore, MD and included live video projections by artist Brenton Lim.
Fenster, 2021
Fenster uses field recordings of Fucile’s cat, Bocce, purring. It also features snare drum (played with a palm from a Palm Sunday with her aunt and mother in 2019), melodica, and voice. This performance was commissioned by The Red Room Collective for The Red Room in Your Room, in April 2021.
Hubris/Utopia, 2020
Hubris/Utopia uses field recordings captured in Baltimore, MD around Stoney Run and outside the Space Telescope Science Institute. This track also features melodica, voice, and a Halloween Voice Changer.
Souvenir, 2019
Souvenir uses original field recordings taken from the Kabanite monument in Sofia, Bulgaria and from a flight from Frankfurt, Germany to Sofia, Bulgaria. The siren is a public domain recording of an alarm that is activated every year on June 2nd in memory of the Bulgarian poet and national revolutionary Hristo Botev. This track also features melodica.
Dragged by the feet into the future, 2019
Dragged by the feet into the future uses original field recordings captured on Hunting Island, South Carolina. This track also features voice, melodica, and a shower rod.
High Zero Festival, 2018
Improvisation with Ada Pinkston, Peter Redgrave, and Jamal Moore at the annual invitational festival of improvised experimental music.